Because of that Jenny gif from My Life as a Teenage Robot I wanted to make a nice sourced post of a bunch of gifs of western properties by Yoh Yoshinari.
As you can see he has a unique perspective and he does extremely distinctive flames. His sakuga is unparalleled and some of the best in the business. He’s worked mostly in the gainex animation studio and some of his recent work can be seen in Panty and Stocking where he was a key player, designing much of the show, some of the best sequences (I.e. episode one and six) were all his design and it shows, he’s also worked on titular properties such as the famous Gurren Lagann and FLCL. He is also a westaboo, as you can see.
Here’s the link to his Pixiv
(Source: explosivetheorist)
(Source: 4ccidentallyonpurpose)
(by Brett Cohen)
What’s that, article?
http://digitalcommons.wcl.american.edu/cgi/viewcontent.cgi?article=1234&context=jgspl
You say Iranian women are forced into submission by oppressive Muslim rule? You hold an Orientalist view that Middle Eastern women are forced to live in the home, being oppressed by wearing the veil/hijab/burka while churning out babies and being beaten by their husbands or honor killed by their male family?
I’m sorry, I didn’t hear you over our massive Iranian female police force armed with sub-machine guns, scaling walls, wielding swords, and shooting out of car windows.
I WANT A MOVIE THAT LOOKS JUST LIKE THIS
Thomas Kennington
Great Britain 1856-1916
Homeless 1890
oil on canvas
170.0 x 152.0 cm___
Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.
In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.
